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We Play Here

We Play Here in Brampton, ON

By None

Current price: $25.50
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We Play Here

Coles

We Play Here in Brampton, ON

By None

Current price: $25.50
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Size: Paperback

Visit retailer's website
*Product information and pricing may vary - to confirm current pricing, availability, shipping, and return information please contact Coles. In the event of a pricing discrepancy, the retailer's price will apply.
Four female friends navigate the political turbulence of North Belfast in the late 80s in this extraordinary, evocative verse novel.We Play Hereis a collection of four poem-stories, taking place in an underdeveloped area of Protestant North Belfast in the summer of 1988, against a background of political turbulence during the Troubles.Written from the perspectives of four female friends in the months between finishing primary school and starting high school, the girls inhabit an eerie, elemental landscape of normalized violence, poverty and neglect.This is a lyrical and graceful evocation of working-class girlhood that rings of Elena Ferrante's studies of female friendships in the Neapolitan novels, Didier Eribon'sReturning to Reims, and Annie Ernaux'sThe Years. It is a radical approach to girlhood and girl-friendships, the kind of skewered space before an imposition of gender, or before the trappings of gender make themselves strongly known. Innocence is tinged here with a kind of hidden menace.
Four female friends navigate the political turbulence of North Belfast in the late 80s in this extraordinary, evocative verse novel.We Play Hereis a collection of four poem-stories, taking place in an underdeveloped area of Protestant North Belfast in the summer of 1988, against a background of political turbulence during the Troubles.Written from the perspectives of four female friends in the months between finishing primary school and starting high school, the girls inhabit an eerie, elemental landscape of normalized violence, poverty and neglect.This is a lyrical and graceful evocation of working-class girlhood that rings of Elena Ferrante's studies of female friendships in the Neapolitan novels, Didier Eribon'sReturning to Reims, and Annie Ernaux'sThe Years. It is a radical approach to girlhood and girl-friendships, the kind of skewered space before an imposition of gender, or before the trappings of gender make themselves strongly known. Innocence is tinged here with a kind of hidden menace.

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