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Visual Political Communication in Popular Chinese Television Series

Visual Political Communication in Popular Chinese Television Series in Brampton, ON

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Current price: $233.99
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Visual Political Communication in Popular Chinese Television Series

Coles

Visual Political Communication in Popular Chinese Television Series in Brampton, ON

By None

Current price: $233.99
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Size: Hardcover

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*Product information and pricing may vary - to confirm current pricing, availability, shipping, and return information please contact Coles. In the event of a pricing discrepancy, the retailer's price will apply.
Visual Political Communication in Popular Chinese Television Series has been granted the EastAsiaNet 2014 Award ! In Visual Political Communication in Popular Chinese Television Series , Florian Schneider analyses political discourses in Chinese TV dramas, the most popular entertainment format in China today. Schneider shows that despite their often nationalistic stories of glorious emperors and courageous officials, such programmes should not be mistaken for official propaganda. Instead, the highly didactical messages of such series are the outcome of complex cultural governance practices, which are influenced by diffuse political interests, commercial considerations, viewing habits, and ideological assumptions. Schneider argues that these interlinking factors lead to a highly restrictive creative environment and to conservative entertainment content that ultimately risks creating precisely the kind of passive masses that Chinese media workers and government officials are trying so hard to emancipate.
Visual Political Communication in Popular Chinese Television Series has been granted the EastAsiaNet 2014 Award ! In Visual Political Communication in Popular Chinese Television Series , Florian Schneider analyses political discourses in Chinese TV dramas, the most popular entertainment format in China today. Schneider shows that despite their often nationalistic stories of glorious emperors and courageous officials, such programmes should not be mistaken for official propaganda. Instead, the highly didactical messages of such series are the outcome of complex cultural governance practices, which are influenced by diffuse political interests, commercial considerations, viewing habits, and ideological assumptions. Schneider argues that these interlinking factors lead to a highly restrictive creative environment and to conservative entertainment content that ultimately risks creating precisely the kind of passive masses that Chinese media workers and government officials are trying so hard to emancipate.

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