There is this curious equilibrium to existence: In order to create balance, the universe must giveth, and the universe must taketh. Kyle Craft, along with his now solidified backing band dubbed Showboat Honey, know this all too well. And this is why their self-titled album, the contemplative yet restless Showboat Honey (Sub Pop Records, July 12th, 2019) reflects that sturm und drang. \xe2\x80\x9cThis is basically an album centered around bad luck and good fortune hitting at the same time,\xe2\x80\x9d Craft explains \xe2\x80\x9cThen, out of nowhere, I find love. Everything went to shit except that. I guess that's how life works.\xe2\x80\x9d No track better captures this duality than the sweeping \xe2\x80\x9cSunday Driver,\xe2\x80\x9d about sticking to your guns, despite a universe of blowback. \xe2\x80\x9cAt this point, you get baptized by certain fires and start to walk with the dead a little bit, like nothing can harm you anymore,\xe2\x80\x9d says the Portland-based musician. \xe2\x80\x9cThat's what self-love sounds like to me, as aggressive as that sounds.\xe2\x80\x9dThe sticky-sweet title of the album is lifted from the brightly choral \xe2\x80\x9cBuzzkill Caterwaul\xe2\x80\x9d (\xe2\x80\x9cOnce you were the showboat honey/ But your ship sailed out\xe2\x80\x9d). \xe2\x80\x9cI wanted to make something that sounded like a raucous collision of Leon Russell and Patti Smith,\xe2\x80\x9d he says, \xe2\x80\x9cBut \xe2\x80\x98Buzzkill Caterwaul' was the only tune that ended up showcasing that vision.\xe2\x80\x9dThough aesthetics veer from song to song, Showboat Honey's steadfast formula remains the same. Drummer Haven Mutlz holds down the machine with a '60s/'70s fast-molasses groove that locks in with the slinky rolling bass of Billy Slater. When Kevin Clark isn't bouncing across the piano, his mellotron strings swell in and out of frame. Jack of all trades Ben Steinmetz's organ parts well up from the deep of the songs, while lead guitarist Jeremy Kale's solos rip through them like electricity. On top of it all, sits the tongue-in-cheek phantasmagoria created by Craft's lyrics. Lyrically, perspectives shift to imbue life into a cast of intriguing, mysterious characters, \xc3\xa0 la Bob Dylan. (\xe2\x80\x9cThere is not a single thing in my life that has affected me more than the first time I heard Dylan,\xe2\x80\x9d says Craft. \xe2\x80\x9cIt immediately changed my life.\xe2\x80\x9d) \xe2\x80\x9cJohnny (Free & Easy)\xe2\x80\x9d is seemingly about a date gone awry at a swinger's party in the Hollywood Hills. And the twangy pop of \xe2\x80\x9cO! Lucky Hand\xe2\x80\x9d appears to shadow a poor sod desperate to elude a hex. Its antidote is the stunning, cinematic \xe2\x80\x9cDeathwish Blue,\xe2\x80\x9d which sounds like a deep cut from the book of John Lennon, about the lovesick salvation found in his bride to be, Lydia.If that's not head-trippy enough, the carefree sing-along \xe2\x80\x9c2 Ugly 4 NY\xe2\x80\x9d features a lyrical reference to a previous incarnation of Craft. Its lyrics\xe2\x80\x94\xe2\x80\x9cDon't wanna see Death strum for cash downtown/ Or the look on his face when the change hits the case on the ground\xe2\x80\x9d\xe2\x80\x94call out his early days in Portland when he went by the moniker of Hobo Grim. Busking downtown, he'd cover country tunes while dressed as the Grim Reaper so as to conceal his true identity.Craft started writing about as soon as he could play the guitar at the age of 15. He grew up in the isolated Mississippi River town of Vidalia, Louisiana where his chops weren't honed in a woodshed, but rather an old, dingy meat freezer that was out of commission. When asked about the first song he'd ever written, he laughs, saying it was an \xe2\x80\x9cangsty-rock tune\xe2\x80\x9d and \xe2\x80\x9ca rare bird of how bad a song could be.\xe2\x80\x9d After years of touring, two LPs with Sub Pop Records, and solidifying the band, he's since grown into a prodigious songwriter, to say the least. The band recorded Showboat Honey\xe2\x80\x94co-produced by Craft, Clark, and Slater\xe2\x80\x94at their own Moonbase Studios in Portland over 2018. \xe2\x80\x9cWe approached this record differently for sure,\xe2\x80\x9d Craft says. \xe2\x80\x9cI'd make a demo, and after putting the songs together, shoot it to the band for ideas.\xe2\x80\x9d Tracks such as \xe2\x80\x9cBroken Mirror Pose\xe2\x80\x9d ended up being highly collaborative, while others settled into Craft's original vision. \xe2\x80\x9cDeathwish Blue,\xe2\x80\x9d for instance, was tracked in a similar fashion to his solo debut, Dolls of Highland, with Craft tracking every instrument by himself.Kyle and the members of Showboat Honey worked at such a feverish wine-fueled pace that they actually ended up with two completely different albums. But at the end of the day, they decided to combine the two into what is now Showboat Honey, a moonstruck rock 'n' roll record teeming with reckless abandon. \xe2\x80\x9cWe thought we had the album done at one point. But at the last minute, I was like, \xe2\x80\x98Shit, this isn't the album. This isn't it,'\xe2\x80\x9d Kyle says. \xe2\x80\x9cIt was just a gut feeling. I'm glad for that because I feel like I ended up writing some of the best songs I've ever written.\xe2\x80\x9d