This book advances five original readings of Shakespeare's  King Lear , influenced by Giorgio Agamben, but tempered by primary research into Jacobean literature, law, religion, and philosophy. To grasp  Lear 's   encounter between politics and identity, the play demands a wider understanding of the religious influence on political thought. As Lear himself realises, sovereignty is an extreme, glamorous example of a deeper category: sacred office.  Lear  also shows duty intersecting with a hierarchy of bastards, outlaws, women, waifs, and monks. This book introduces concepts like  petit treason , civil death, and waivery into political theological studies, complicating Agamben's models. Goneril's treason shows the sovereign's consort and children are consecrated lives too. Lear's crisis of "self-knowing" stages a landmark critique of office. The promise of his poignant speech before the prison is foreclosed by Shakespeare's invention: an officer dutifully murdering Cordelia. This book's conclusion, through Hannah Arendt, reconsiders  Lear 's   persistent association with the Holocaust.