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No Spare People

No Spare People in Brampton, ON

By None

Current price: $22.95
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No Spare People

Coles

No Spare People in Brampton, ON

By None

Current price: $22.95
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Size: Paperback

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No Spare People documents the joys and perils of a tiny mother-daughter family navigating life on the margins. From poems about finding autonomy as a queer, unpartnered parent by choice in the South to those chronicling a generation’ s economic instability, Hoover rejects so-called “ acceptable losses” stemming from inequalities of gender, race, and class. The book asks, what happens to the woman no longer willing to live a lie? How does language invent not only identity, but possibility? “ Erin Hoover’ s second collection, No Spare People, recalls to me the sobering effect of encountering Adrienne Rich’ s work in the late ’ 80s. These poems deal in reality, eschewing the fantastic … This is a deeply intellectual and expertly wrought collection.” — Cate Marvin “ These are hard poems in that they press far past the facile reductive binaries of good and evil, savior and saved, and into something— a lyric, a voice— that feels a little more complicated, a little more like our own world.” — Kaveh Akbar
No Spare People documents the joys and perils of a tiny mother-daughter family navigating life on the margins. From poems about finding autonomy as a queer, unpartnered parent by choice in the South to those chronicling a generation’ s economic instability, Hoover rejects so-called “ acceptable losses” stemming from inequalities of gender, race, and class. The book asks, what happens to the woman no longer willing to live a lie? How does language invent not only identity, but possibility? “ Erin Hoover’ s second collection, No Spare People, recalls to me the sobering effect of encountering Adrienne Rich’ s work in the late ’ 80s. These poems deal in reality, eschewing the fantastic … This is a deeply intellectual and expertly wrought collection.” — Cate Marvin “ These are hard poems in that they press far past the facile reductive binaries of good and evil, savior and saved, and into something— a lyric, a voice— that feels a little more complicated, a little more like our own world.” — Kaveh Akbar

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