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I'm Trying to Tell You Sorry: An Intimacy Triptych
Coles
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I'm Trying to Tell You Sorry: An Intimacy Triptych in Brampton, ON
By None
Current price: $15.99

Coles
I'm Trying to Tell You Sorry: An Intimacy Triptych in Brampton, ON
By None
Current price: $15.99
Loading Inventory...
Size: Kobo eBook
*Product information and pricing may vary - to confirm current pricing, availability, shipping, and return information please contact Coles. In the event of a pricing discrepancy, the retailer's price will apply.
I’m Trying to Tell You I’m Sorry is a hybrid memoir that explores identity, gender, intimacy, and the complexities of telling one’s own story. Blending personal narrative, lyrical prose, and meta-commentary on art, performance and perception, the book refuses traditional linear storytelling in favor of fragmented, self-reflective vignettes.At its core, I’m Trying to Tell You I’m Sorry traces the author’s experiences as a woman navigating relationships, sexuality, illness, loneliness, vulnerability, and the act of being seen—both by others and by herself. Boutsikaris often situates her identity in relation to others—particularly men—and interrogates how her sense of self has been shaped by performance, desire, and trauma. Through various episodes, she recounts moments of self-erasure and redefinition. Boutsikaris creates a powerful portrait of a self in flux, always in the process of becoming, and always questioning whether that process can ever be honestly captured.Nina Boutsikaris’s memoir is an intimate, experimental exploration of womanhood and the elusive nature of truth.
I’m Trying to Tell You I’m Sorry is a hybrid memoir that explores identity, gender, intimacy, and the complexities of telling one’s own story. Blending personal narrative, lyrical prose, and meta-commentary on art, performance and perception, the book refuses traditional linear storytelling in favor of fragmented, self-reflective vignettes.At its core, I’m Trying to Tell You I’m Sorry traces the author’s experiences as a woman navigating relationships, sexuality, illness, loneliness, vulnerability, and the act of being seen—both by others and by herself. Boutsikaris often situates her identity in relation to others—particularly men—and interrogates how her sense of self has been shaped by performance, desire, and trauma. Through various episodes, she recounts moments of self-erasure and redefinition. Boutsikaris creates a powerful portrait of a self in flux, always in the process of becoming, and always questioning whether that process can ever be honestly captured.Nina Boutsikaris’s memoir is an intimate, experimental exploration of womanhood and the elusive nature of truth.






















