The >lyrical IImages of this wonderfully beautiful paradise. In a time of rapid changes, accompanied by destruction, new orientation and loss of orientation, a time of paradigm shifts that are often no longer grounded in reason and ratio and thus comprehensible, so that they bring destruction, a new style of prose lyric is found and further developed, which an inner being of the lyrical I, in forms of inner monologues, elements of Impressionism, Expressionism, Symbolism and others, nonetheless seeks a kind of "New Classic" that offers new world-historical orientations for today, which in the author's opinion can only be found again in resonance with the Enlightenment and Weimar Classicism. The developing culture of the German-speaking area seeks in the reality of a new, entirely different epoch that is not completely revisable a new thinking, feeling and writing that does justice to this reality, but nonetheless finds a new guiding norm in recourse to the Enlightenment of the 18th century and historical German Classicism, which as >Classic for Today