A Discourse on the Dignity Certainty Pleasure and Advantage of the Science of a Connoisseur. By Mr. Richardson by Jonathan Richardson

The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars. The eighteenth-century fascination with Greek and Roman antiquity followed the systematic excavation of the ruins at Pompeii and Herculaneum in southern Italy; and after 1750 a neoclassical style dominated all artistic fields. The titles here trace developments in mostly English-language works on painting, sculpture, architecture, music, theater, and other disciplines. Instructional works on musical instruments, catalogs of art objects, comic operas, and more are also included. ++++The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++British LibraryT135925In his 'Two discourses. I. An essay on the whole art of criticism as it relates to painting. .. II. An argument in behalf of the science of a connoisseur'. With a final advertisement leaf. London: printed for W. Churchill, 1719. 234, 2]p.; 8 | A Discourse on the Dignity Certainty Pleasure and Advantage of the Science of a Connoisseur. By Mr. Richardson by Jonathan Richardson